two verions, by Debora Arango
Museo de Arte Moderno de Medellin, Colombia
Last month, I had the good fortune to visit Medellin and view the dramatic, larger - than - life work of Debora Arango. Her paintings capture many harsh and conflicted aspects of religion, politics, urban poverty, and gender.
For example, the above postcards above, make the point that the women are trapped between men either tyrannizing them or looking up their dresses or both. My friend Jan concurs: "Yes -- that's my read, too! I just read your Fortnightly about Raunch Culture and watching a British 'comedy' with your sons and husband. I often find myself in the same role you found yourself. I wish more men would try harder to imagine themselves in a woman's place. Really enjoyed reading this."
I was concerned about going out on a prudish limb, but wanted to look at the troubling concepts of "Cool Girl" and "sweet - assed gal" and felt that Arango's paintings made a fitting connection. To be screamed at from above or stared at from below is not really what women want.
~~ Cool Girl ~~
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A Fortnightly [every 14th & 28th] Literary Blog of
Connection & Coincidence; Custom & Ceremony