Clever British poet, b 1970 Ellie follows Bilston's advice:
Get It Down In Writing! Sometmes The North Pole
is Closer Than You Might Think! Don't be listless -- or list less!
"Do any human beings ever realize life while they live it? -- every, every minute?"
Question asked by Emily, in OUR TOWN
"to find a value above all price for the smallest events in our daily life" ~Thornton Wilder
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| Golden Autumn (1925)
by William Henry Margetson (1861 - 1940) More by Margetson & others |
"The Professor happened to come home earlier than usual one bright October afternoon. He left the walk and cut across the turf, intending to enter by the open French window, but he paused a moment outside to admire the scene within. The drawing-room was full of autumn flowers,dahlias and wild asters and goldenrod. The red-gold sunlight lay in bright puddles on the thick blue carpet, made hazy aureoles about the stuffed blue chairs. There was, in the room, as he looked through the window, a rich, intense effect of autumn, something that presented October much more sharply and sweetly to him than the coloured maples and the aster-bordered paths by which he had come home. It struck him that the seasons sometimes gain by being brought into the house, just as they gain by being brought into painting, and into poetry. The hand, fastidious and bold, which selected and placed--it was that which made the difference. In Nature there is no selection." [Or perhaps there is?]
"We had a beautiful autumn that year, soft, sunny like a dream. Even up there in the air we had so little wind that the gold hung on the poplars and quaking aspens late in November."
"It is another glorious autumn day, but there is a bite the air that tells you there won't be too many left. Winter is waiting impatiently round the corner."
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| How Sad, How Lovely
Album by Connie Converse (August 3, 1924) |
Title song: How Sad, How Lovely
How sad, how lovely
How short, how sweet
To see that sunset
At the end of the street
And the day gathered in
To a single light
And the shadows rising
From the brim of the night
Too few, too few
Are the days that will hold
Your face, your face
In a blaze of gold
How sad, how lovely
How short, how sweet
To see that sunset
At the end of the street
And the lights going on
In the shops and the bars
And the lovers looking
For the first little star
Like life
Like your smile
Like the fall of a leaf
How sad, how lovely
How brief
Music & lyrics by Connie Converse
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| Mid-Century Modern Mosaic
by my sister Peggy Carriker Rosenbluth Happy Birthday Peg! |
The Elder Sister
When I look at my elder sister now
I think how she had to go first, down through the
birth canal, to force her way
head-first through the tiny channel,
the pressure of Mother’s muscles on her brain,
the tight walls scraping her skin.
Her face is still narrow from it, the long
hollow cheeks of a crusader on a tomb,
and her inky eyes have the look of someone who has
been in prison a long time and
knows they can send her back. I look at her
body and think how her breasts were the first to
rise, slowly, like swans on a pond.
By the time mine came along, they were just
two more birds in the flock, and when the hair
rose on the white mound of her flesh, like
threads of water out of the ground, it was the
first time, but when mine came
they knew about it. I used to think
only in terms of her harshness, sitting and
pissing on me in bed, but now I
see I had her before me always
like a shield. I look at her wrinkles, her clenched
jaws, her frown-lines—I see they are
the dents in my shield, the blows that did not reach me.
She protected me, not as a mother
protects a child, with love, but as a
hostage protects the one who makes her
escape as I made my escape, with my sister’s
body held in front of me. (1984)
Ode to My Sister
I know why they say the heart is in
the heart. When you think about people you love,
you get warm there. I want to thank
my sister for loving me, which taught me
to love. I’m not sure what she loved in me,
besides my love for her — maybe
that I was a copy of her, half-size —
then three-quarters, then size. In the snapshots, you see her
keeping an eye on me, I was a little wild
and I said silly things, and she would laugh her serious
laugh. My sister knew things,
sometimes she knew everything,
as if she’d been born knowing. And I
so did not know — my wonder went
along with me wherever we’d go,
as if I had it on a tool belt —
I understood almost nothing, and I
loved pertinding, and I loved to go into the
garden and dance with the flowers, which danced
with me without hardly moving their green
legs, I was like a music box
dropped on my head. And I was bad —
but I don’t think my sister thought I was actually
bad, I was her somewhat smaller
littermate — nor did she need
my badness to establish her goodness. And she
was beautiful, with a moral beauty, she would
glide by, in the hall, like a queen
on a barge on the Nile, she had straight black hair
that moved like a black waterfall, as
one thing, like a black silk skirt.
She was the human. I aspired to her.
And she stood between the god and me.
And her hair ( pertind) was like a wing
of night, and in my dreams she could hold it
over me, and hide me. Of course,
by day, if the god wanted you for something,
she took you. I think if the god had known how to
take my curly hair from my head,
she would have. And I think there was nothing my sister
wanted to take from me. Why would
she want to, she had everything —
in our room she had control of the door,
closed, or open, and the light switch,
dark, or bright. And if anything
had happened to me, I think my sister
would not have known who she was, I was almost
essential to her, as she to me.
If anything had happened to her,
I think I would not be alive today,
and no one would remember me,
as if I had not lived. (2016)
Both poems by Sharon Olds
American poet, b. 1942
Additional posts: FN ~ QK
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| Birthday treat:
A heart-shaped piece of candied ginger! |
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| Ghosts of the Ancestors,
watching over the household, on Veterans Day and everyday |
Everyone Sang
Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on - on - and out of sight.
Everyone's voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away ... O, but Everyone
Was a bird; and the song was wordless;
the singing will never be done. (1919)
[ellipses in original]
By Siegfried Sassoon (1886 — 1967)
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| Inadvertent leaf fall,
right on the top of my Americano! |
“They want you to feel powerless and to surrender and to let them trample everything and you are not going to let them. You are not giving up, and neither am I. The fact that we cannot save everything does not mean we cannot save anything and everything we can save is worth saving. You may need to grieve or scream or take time off, but you have a role no matter what, and right now good friends and good principles are worth gathering in. Remember what you love. Remember what loves you. Remember in this tide of hate what love is. The pain you feel is because of what you love."
Truth and love have been smacked down, so many more times in history before today. Truth, because it’s often inconvenient, and love because it is vulnerable.
But truth is like gravity, and carbon, and the sun behind an eclipse: it’s still there. And love stays alive if you tend it like a flame. If you feel crushed by unkindness today, it’s a time for grieving, reaching out to loved ones, noticing one bright color somewhere in the day. Remembering what there is to love. Starting with the immediate, the place and people we can tend ourselves, and make safe. We can’t save everything all at once, but it’s still worth saving something. Because there are so many of us to do it.
And we are all still here today, exactly as we were yesterday. Like gravity, and carbon, and the sun behind an eclipse.
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| Paul Jones Lindsey
4 November 1895 - 11 June 1983 More about Paul: FN & QK |
Presents for Me
Because I really wanted them, Grandpa bought the black corduroy sneakers with red plaid saddles -- like the classic black and whites -- except better! Mom asked, what about the other kids? Another time, he arrived, orange cowboy hat on head, little brown purse on arm. For me? No, mine, he laughed!
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| I no longer have the shoes or the hat,
but I do have the purse. It may not look like much, but I felt super stylish back in 1965! I think it was already vintage then -- now even more so! |
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| Perhaps it's time to make another batch of Springerle
-- maybe this Christmas. |
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| Riding the train to Kansas City in 1966 |
| Sitting on the front porch in 1981 |
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| Cozy Autumn by Rita Kónya |
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She philosophically noted dates as they came past in the revolution of the year . . . her own birthday; and every other day individualized by incidents in which she had taken some share. She suddenly thought one afternoon, when looking in the glass at her fairness, that there was yet another date, of greater importance to her than those; that of her own death, when all these charms would have disappeared; a day which lay sly and unseen among all the other days of the year, giving no sign or sound when she annually passed over it; but not the less surely there. When was it? Why did she not feel the chill of each yearly encounter with such a cold relation? . . . some time in the future those who had known her would say: 'It is the ——th, the day that poor Tess Durbeyfield died'; and there would be nothing singular to their minds in the statement. Of that day, doomed to be her terminus in time through all the ages, she did not know the place in month, week, season or year.
from Chapter 15
of Tess of the d'Urbervilles: A Pure Woman
by Thomas Hardy
“Oh God, midnight’s not bad, you wake and go back to sleep, one or two’s not bad, you toss but sleep again. Five or six in the morning, there’s hope, for dawn’s just under the horizon. But three, now, Christ, three A.M.! Doctors say the body’s at low tide then. The soul is out. The blood moves slow. You’re the nearest to dead you’ll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death! You dream with your eyes open. God, if you had strength to rouse up, you’d slaughter your half-dreams with buckshot! But no, you lie pinned to a deep well-bottom that’s burned dry. The moon rolls by to look at you down there, with its idiot face. It’s a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead – And wasn’t it true, had he read somewhere, more people in hospitals die at 3 A.M. than at any other time . . .” (p 58)
from Something Wicked This Way Comes
by Ray Bradbury
Additional Autumnal Ray Bradbury:
The Halloween Tree ~ Moundshroud
The Pedestrian ~ from Dandelion Wine
1. When someone recently dead appears in your dreams, it is not necessarily because they have come with a message for you from the other side, but more likely because you have something to tell them.
2. When someone from your past appears in your dreams, they are probably a stand - in for someone in your present. If that's me in the blue sweater, what message am I trying to tell myself? What is the message from my psyche?
The Last Chance
The myna bird speaks
of love. His whistle
cuts into the bone
ears of a whitetail's
head stuffed above
the bar.
Fifty miles the county's
dry. You stop here
to tell yourself
go home but hear
the black experience
of a goddamned bird
whose hello sucks
at the marrow
of your bones.
You wonder how a soul
can pass from
his beak and break
upon your face, split
the whiskers you grew
to be wise in. You wonder
at his avalanche of words,
the last drink you took,
the dance on your skin
you can't beat time to.
You wonder, but you
do not ask. You
listen hard with
your cracking eyes.
He asks about your life.
You tell him lies
while he preens
a feather, lets it drop.
Your life is sour
on the glass. Crow
made the earth and all
things therein, brought fire.
This bird's a ghost
you tell your sins.
Nobody is listening.
Outside the sun falls
into the brittle grass.
by Jim Barnes (b 1933)
in Sundown Explains Nothing, 2019 (p 139 - 40)
Additional posts: FN & QK & KL
They Sit Together on the Porch
They sit together on the porch, the dark
Almost fallen, the house behind them dark.
Their supper done with, they have washed and dried
The dishes–only two plates now, two glasses,
Two knives, two forks, two spoons–small work for two.
She sits with her hands folded in her lap,
At rest. He smokes his pipe. They do not speak,
And when they speak at last it is to say
What each one knows the other knows. They have
One mind between them, now, that finally
For all its knowing will not exactly know
Which one goes first through the dark doorway, bidding
Goodnight, and which sits on a while alone.
By Wendell Berry
"Of all God's creatures, there is only one that cannot be made slave of the leash. That one is the cat. If man could be crossed with the cat it would improve the man, but it would deteriorate the cat."