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| ~ Thanks ~
StoryPeople! |
with good comments & connections:
As Anne taintor says:
"Do any human beings ever realize life while they live it? -- every, every minute?"
Question asked by Emily, in OUR TOWN
"to find a value above all price for the smallest events in our daily life" ~Thornton Wilder
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| ~ Thanks ~
StoryPeople! |
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| Spider Woman (2005)
Louise Bourgeois (1911–2010) ~ famous for her giant sculptures Spider & Maman ~ but I think my favorite is this red Spider Woman |
Snow Country Weavers
A time to tell you things are well.
Birds flew south a year ago.
One returned, a blue-wing teal
wild with news of his mother’s love.
Mention me to friends. Say
Wolves are dying at my door,
the winter drives them from their meat.
Say this: say in my mind
I saw your spiders weaving threads
to bandage up the day. And more,
those webs were filled with words
that tumbled meaning into wind.
James Welch (1940 – 2003)
from his book Riding the Earthboy
Spider
All of my pain is a spider
I’ve learned not to crush
with the heel of my shoe
but to guide with a page
of my journal
into an empty glass.
I ask questions about
its life, its purpose
as I walk careful
out to the garden and rest
it down on the earth.
My pain—how happy
it is to leave me
whenever I treat it
kind.
Andrea Gibson (1975 – 2025)
from Begin Where You Are:
The Colorado Poets Laureate Anthology
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| Zebra (1937)
Victor Vasarely (1906 - 1997) |
Zebra Question
I asked the zebra
Are you black with white stripes?
Or white with black stripes?
And the zebra asked me,
Or you good with bad habits?
Or are you bad with good habits?
Are you noisy with quiet times?
Or are you quiet with noisy times?
Are you happy with some sad days?
Or are you sad with some happy days?
Are you neat with some sloppy ways?
Or are you sloppy with some neat ways?
And on and on and on and on
And on and on he went.
I'll never ask a zebra
About stripes
Again.
Shel Silverstein (1930 - 1999)
[on facebook]
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| Still Life With Rosemary
From the Backyard As Shakespeare reminds us, "There's rosemary, that's for remembrance . . . " Hamlet, IV, v |
1.
At Midnight
Now at last I have
come to see what life is,
Nothing is ever ended,
everything only begun,
And the brave victories
that seem so splendid
Are never really won.
Even love that I built
my spirit's house for,
Comes like a brooding
and a baffled guest,
And music and men's praise
and even laughter
Are not so good as rest.
by Sara Teasdale (1884 - 1933)
from Flame and Shadow, 1920 2.
What we call the beginning is often the end
And to make and end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea's throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them. . . .
With the drawing of this Love and the voice of this
Calling
We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time. . .
by T.S. Eliot
from "Little Gidding" (Part V), 1942
“We all exist in an electromagnetically charged existence through the dynamic of going around in this circular pattern. . . . it’s a new iteration for the medallions as relics or mementos of what has been. They’re a fragment of a whole. So they’re sort of in a limbo state, like passengers are in an aircraft.”
~ Artist Andrew Ginzel
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| How about a teal wheelbarrow
with red tomatoes?! |
The Red Wheelbarrow
so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens
~ William Carlos Williams (1883 – 1963)
See also "Landscape with the Fall of Icarus"
and Fault in Our Stars
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| "When I'm rich, my mother'll have a garden and a gardener . . .
And we'll have champagne every evening when she's tired . . . champagne and a gardener!" (71) |
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| Now is the Time! |
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| "LA FÊTE A PAPA"
A Sweet French Father's Day Greeting & Le Bon Marché ~ advertising card Thanks to my friend Jes for this little treasure! |
Sons Of
Sung by Judy Collins
Sons of the sea, sons of the saint
Who is the child with no complaint;
Sons of the great or sons unknown
All were children like your own
The same sweet smiles, the same sad tears
The cries at night, the nightmare fears
Sons of the great, sons unknown
All were children like your own
Sons of tycoons, or sons from the farms
All of the children ran from your arms
Through fields of gold, through fields of ruin
All of the children vanished too soon
In towering waves, in walls of flesh
Amid dying birds trembling with death
Sons of tycoons, sons from the farms
All of the children ran from your arms
Sons of your sons, sons passing by
Children were lost in lullaby
Sons of true love, sons of regret
All of your sons you can never forget
Some build the roads, some wrote the poems
Some went to war, some never came home
Sons of your sons, sons passing by
Children were lost in lullaby
Written by Jacques Brel (1929 - 1978),
Eric Blau, Gérard Jouannest, & Mort Shuman
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| A. C. Grayling (b 1949)
on amazon / pdf |
"Almost everywhere one looks among present societies, race and racism make angry welts and deep wounds on the body politic. It is an irony that although racism is a reality, and a harsh one, race itself is a fiction. The concept of race has no genetic or biological basis. All human beings are closely related to one another, and at the same time each human being is unique. Not only is the concept of race entirely artificial, it is new; yet in its short existence it has, like most lies and absurdities current among us, done a mountain of harm. . . . But advances in genetics have demolished such taxonomies, by taking DNA [and species] as the criterion of classification. . . . ‘Race has no basic biological reality,’ says Professor Jonathan Marks of Yale University; ‘the human species simply doesn’t come packaged that way.’ Rather, race is a social, cultural and political concept based on superficial appearances and historical conditions, largely those arising from encounters with other peoples as Europe developed a global reach, with the slavery and colonialism that followed.
. . . The physical diversity of human populations today is purely a function of geographical accidents of climate and the isolation of wandering bands. The distinctions which have since been drawn between peoples are therefore arbitrary and superficial, even those relating to skin colour – for as a moment’s attention shows, there is simply no such thing as ‘white’, ‘black’ or ‘yellow’ people; there are people with many shades and types of skin, making no difference to any other aspect of their humanity save what the malice of others can construct."
~From Sections 68 & 69
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| Check out this mystery
~ and review in The Guardian ~ for numerous fun allusions to James Joyce's Ulysses. Quirke even sees a "lanky-looking galoot in a gabardine raincoat" (148). [also on KL] |
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And so close, he nearly had it: " . . . the cedar-shingled roof of Martello Tower #3 was destroyed by fire on June 6, 1857 by fire and replaced with a metal roof. The tower was demolished in 1904 to make way for a hospital pavilion."
Appropriately, a Martello - themed answer -- about Canada rather than Ireland -- constitutes a classic "Bloomism", which is "a term coined by scholar Richard Ellmann to describe a characteristic mental habit of Leopold Bloom in James Joyce’s Ulysses: 'an uneasy but scrupulous recollection of a factual near-miss.' It refers to moments when Bloom accurately recalls the gist or context of a fact, name, or phrase, but gets the specific detail slightly wrong, resulting in a funny or almost-correct error."
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| Update 2025:
The Forty Foot & The Martello Tower |
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